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marty
Joined: 22 Jan 2004 Posts: 155 Location: Arlington, MA USA
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Posted: Thu Nov 04, 2004 1:47 pm Post subject: printing on fabric |
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I want to add my logo, or maybe just my name to some fabric to be included on the kites that make. I originally thought about silk Screening, but then thought, I wonder if there is a way to use an ink jet printer to print on fabric?
Has anyone done this or heard of anyone doing this? _________________ Gentle breezes...
Marty Sasaki
Arlington, MA USA |
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Stan

Joined: 18 Nov 2003 Posts: 763 Location: San Diego
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Posted: Thu Nov 04, 2004 2:05 pm Post subject: |
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Marty,
Inkjets don't work too well on fabric because the weave wicks the ink, but laser printers might if the heat doesn't melt it.
Maybe a stamp like Heads-Up uses?
Some interesting inkjet media is available from papilio.com that can be used to make various labels and transfers. I use some of their products to put logo labels on prototype mock-ups at work. May be worth a look. |
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KiteSquid Master Kite Builder


Joined: 29 Aug 2003 Posts: 3513 Location: USA Virginia King George
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Posted: Thu Nov 04, 2004 2:19 pm Post subject: |
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Are you wanting to mark on polyester or nylon as there is a BIG difrence in the methods....
You can squirt dyes thru inkjet priters, as long as they are not thermal heads so all HP printers are out as the dyes will clog up the heads in a big hurry. Let me know if you want more info but this is an expenisve path to go down.... I have done some extesive reasearch here...as it is where I want to go next. I need a older Epson color or for the big bucks there are some large format printers that will do the job. over $100,000 to get started.....
Oh and you should coat the fabric with some propritary anti wicking stuff..
Ken Conrad is dooing some wonderfull stuff with disbulimation(sp?) printing. He sent me some samples and WOW was I impressed!!!!!!! but you have to control the tempature VERY carefully!!!!!!!!
You can also directly apply dyes onto fabrics and then steam set them to make them perminant. Look at my Iris Edo:
This was my first attempt at dirrect application of dyes and I dont think I did toooooooo bad. 100% hand dyed fabric.
Also you can use markers to write on fabric. I have seen it done on RSN but not RSP yet but it should work too. If you are intrested I could look up the brand of markers.... _________________ VR/
KiteSquid
AKA TakoIka
AKA Harold
King George VA
P.S. Yet another post by the Squid..... Doesent he ever shut up???
P.P.S. The wind is like the air, only pushier. |
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dpb Master Kite Builder


Joined: 17 Dec 2003 Posts: 456 Location: Portland, OR
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Posted: Thu Nov 04, 2004 4:29 pm Post subject: |
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I have thought about it for a home inkjet, but it would be tough.
First is the fact that most fabrics would not feed through an inkjet. You might be able to use Ripstop which has been attached to paper with spraymount, but then you come into the second problem: absorbtion.
Most cotton, silks and etc absorb too much. 1 pixel would spread out, become defuse and even bleed into other pixels. Coated Ripstop on the other hand wouldn't absorb enough (this is aqueous ink and Ripstop is waterproof). It would all pool on the surface, and run together. After it dried, it would probably flake off.
Then there is a 3rd problem: aqueous inkjet is water soluable. Get it wet and it runs. Some special and expensive media (ie:papers and such) have special binding agents which grab the dye molecules and preserve them in a static matrix afte the ink dries. This not true of paper in general, and definitely not true of most fabric and Ripstop. So if you get a picture to stick to a kite, don't get it wet.
The 4th issue is the fact that, in general, you will be restricted to small kites. Even if you buy a B-size printer, that's only 11"x17".
Now there are industrial inkjet machines which do use appropriately stable dyes and pigments and will print big enough to cover the side of a trailer for a Mack truck, or even a large billboard (I have seen the printers and their output). It is waterproof and UV resistant. The only problems are that they cost in the mid 6 figures, and I do not know if the the pigments are transmisive (in other words I do not know if the "paints" would look good with the sun behind the kite, or if it is opaque and thereby turns dark and blocks the sun). If there are "paints" which do look good, I expect we could see a large advertizing kite, if someone approached a major brand name obout it (e.g. "The Classic Coke Kite", 40 ft tall and 20 feet wide). After all, the technology already exists, and is cheap enough that it is already being used by advertisers (though it might be a bit pricey for you or me).
Dave _________________ Cherry Blossoms fall like rain,
A lively kite steals the sky,
Paradise in a moment.
Last edited by dpb on Thu Nov 04, 2004 5:25 pm; edited 2 times in total |
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dpb Master Kite Builder


Joined: 17 Dec 2003 Posts: 456 Location: Portland, OR
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Posted: Thu Nov 04, 2004 4:59 pm Post subject: |
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Dye Sublimation is a really interesting technology, though it is dying out (oof, an unintentional pun). The quality is excellent because each pixel can have as many intensities as you are capable of making.
Basically you have a transfer ribbon with 4 colors (Cyan, Magenta, Yellow and Black). Then put each panel next to your paper and put down a pixel every you want a dot of that color. You put down a pixel running both ribbon and paper over a very precise heating element and heating up the transfer roll; you literally boil the dye off the transfer roll at that point/dot. If you want a light pixel, you heat it a little bit, and if you want a saturated pixel you heat/boil it much harder. That means that, like your PC terminal, each pixel can have 256 levels of saturation (the average printer has 2 levels per pixel: off or on), and like a printer, you can have 600 dpi (the average PC terminal is 72 dpi). This means that Sublimation Dye has an excellent, even photographic appearance.
The problem is that you have to use 4 color panels per page, no matter how little ink you put on the page. Even a page of black text essentially uses 4 panels, even though no Cyan, Magenta or Yellow is ever used. And each set of 4 panels is expensive (I don't know what the cost is now, but it used to be about $2 for B-size). Also it takes a special media/paper to absorb the dye completely, and the paper was expensive too (I don't believe that Ken uses that media for his kites, and so his colors are a little muted and appear coarser by comparison). It is also a slow technology (a page/min is fast for B-size). Laser printer now produce output much faster (25+ pages/min), and the pages cost somewhere about 5-10 cents. Also while inkjet costs can cost just as much as Sub Dye for a heavy coverage page on photo paper, they cost much less on light coverage pages regular paper. So Sub dye machines only exist in the specialty print shops now, and have mostly been replaced with other technology (economics over quality).
Dave _________________ Cherry Blossoms fall like rain,
A lively kite steals the sky,
Paradise in a moment. |
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The Phantom

Joined: 28 Oct 2004 Posts: 7 Location: Lincoln City, Oregon
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Posted: Thu Nov 04, 2004 8:04 pm Post subject: |
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Hi, Dave.
I believe the Sublimation process that is being discussed is a heat trasfer process. It was developed make in the mid 70's. Remember polyester disco shirts? I had a screen printing shop at the time and got involved with an umbrella manufacturer. We heat transfered the art work onto the nylon panels before they were sewn together. Back then all of the transfers were printed on an offset press. Now, all you need is a dedicated Epson printer. About $300 for the ink cartridges and some kind of a heat transfer machine.
This system is widely used in the trophy, specialty gifts and awards business for metal plates, mouse pads, coffee mugs......
Here are a few sites that I found - GOOGLE search - epson sublimation heat transfer
http://www.bestblanks.com/inks.html
http://www.fineartgicleeprinters.org/ColorSurf_SintesiMutohColorGate/ColorSurf_SintesiColorGate.html
http://www.starlinepacific.com/
http://www.sublimationmaker.com/products/general/whatissub.htm
After reading the information on the bestblanks.com site I found that they sell Sublimation Ink sets for the Epson C84 printer. This printer was on sale at Fry's last week after rebates for $0.00. I own one and it's a great printer. A standard Ink set is around $50.00. Buy a printer just for the Ink? Go figure. The Sublimation Ink set, though, is $337.00.
The Phantom
Lindsey Johnson _________________ If you don't think too good. Then don't think too much. |
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dpb Master Kite Builder


Joined: 17 Dec 2003 Posts: 456 Location: Portland, OR
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Posted: Fri Nov 05, 2004 3:03 am Post subject: |
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Quote: | I believe the Sublimation process that is being discussed is a heat transfer process. It was developed make in the mid 70's. Remember polyester disco shirts? The Phantom
Lindsey Johnson |
You could be right. Sublimation Dye printers came out in the mid 90’s (that’s when I was doing color transforms and gamma curves for them). In these printers, a long polyester ribbon is impregnated with these dyes, and when the ribbon is subjected to significant heat, the dye is released and impregnates on the coated paper which is held against it. The paper needs a polyester coating for it to work best. As I mentioned before the best Sublimation dye printers run the ribbon over a heat bar, which heats each pixel across the bar independently, and causes the ink to leave the ribbon and attach to the paper.
Later, inkjet manufacturers decided to try the process. The dye goes from a solid to a gas, and then back to a solid (i.e. it sublimates). But if you grind it up fine and dissolve it in a solvent, you can use it in an inkjet printer. Then the dye is applied to a polyester media with the image reversed. The media is then placed image side down, on top of whatever item to which you want the image applied. You apply heat and the dye bleeds of the polyester media to whatever it is you have it on top of (dang ended a sentence with a preposition). Of course this assumes there is polyester (or a close cousin) on the surface of whatever it is to which you are applying it. It works on T-shirt which have polyester in them (won’t work well at all on 100% cotton). It is not as good as a true sublimation dye printer, in that you only have pixels which are either “On” or “Off”. To make up for that, some manufactures use half saturation mixes of cyan and magenta (so you have “On” “Half On” and “Off” and dither for the rest of the levels). Other printer manufacturers dither at 1200 or even 2400 dpi. The results are not as good as a true Sublimation Dye printer (256 levels is better than 3 levels), but still it’s pretty dang good. Since Ripstop is either Polyester or a close cousin, it will accept the dye. Of course there is an issue with smoothness. Smoother media means better transfer. Since Ripstop is not actually smooth, it doesn’t accept the images as well as something that is smooth (e.g. a Mylar smooth sheet would accept it very well). Further, since the Ripstop would not handle sufficient heat to get complete transfer from the transfer media, much of the dye would stay on the transfer media, rather than on the Ripstop. On the other hand, even if it is not perfect, since you can pump up the heat on many items, the results are reasonably good for t-shirts, mouse-pads, polyester coated coffee mugs and etc (I doubt the manufacturers even considered kites).
I did my sublimation dye color work on the original Sublimation dye printers for Tektronix. At this point, sublimation dye and the inkjet versions using those dyes are considered niche markets, and many major manufacturers don’t even sell them. When Harold said Sublimation Dye, I immediately assumed he meant the true Sublimation dye printers, but it would make sense that Ken would use the inkjet version, and yes he would have to be very careful about the heat. In any case I will have to call Ken Conrad and ask him if he is using a Sublimation dye printer, or an inkjet with sublimation dye cartridges.
Dave _________________ Cherry Blossoms fall like rain,
A lively kite steals the sky,
Paradise in a moment. |
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KiteSquid Master Kite Builder


Joined: 29 Aug 2003 Posts: 3513 Location: USA Virginia King George
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Posted: Fri Nov 05, 2004 8:26 am Post subject: |
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dpb wrote: | I don't believe that Ken uses that media for his kites, and so his colors are a little muted and appear coarser by comparison. |
Ken is printing onto Rip-Stop and it looks GREAT but I am not a professional in the printing industry.
Dave, why dont you stop by Ken's shop and talk for a while _________________ VR/
KiteSquid
AKA TakoIka
AKA Harold
King George VA
P.S. Yet another post by the Squid..... Doesent he ever shut up???
P.P.S. The wind is like the air, only pushier. |
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KiteSquid Master Kite Builder


Joined: 29 Aug 2003 Posts: 3513 Location: USA Virginia King George
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Posted: Fri Nov 05, 2004 9:33 am Post subject: |
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Here are a few examples of printed or possabily dyed fabrics:
Banners
Kites
Owl Quad Line
or the ones that realy started me thinking down this path... look at the Deutsche Mark Kites (especaly the 1000 note as it is backlit) and is made from a single piece of fabric.
Deutsche Marks at Gomberg Kite Productions This photo was posted in October of '01
Also HERE is were you can buy the large format printers to squit dyes onto fabric with all the support equipment less PC and most of the software to get the job done.
The Acid dye family is for Nylon and the Disperse dyes work on Polyester.
Price????? the whole kit that includes the printer, steamer, Color correcting software (I cant remember what it is called) costs about $150,000......... You provide the PC, Power and the images from your favorite drawing or photo editing package....
Oh, they also recomed puting their coating on the fabric first at $5 to $11 per yard plus shiping
So Dave..... can you see anyway to do this at home on the cheep????? I need to start watching dumpsters for large format printers....
Where are the Mutoh, Epson and Miamki large format printers built/repaied at here in the US????? _________________ VR/
KiteSquid
AKA TakoIka
AKA Harold
King George VA
P.S. Yet another post by the Squid..... Doesent he ever shut up???
P.P.S. The wind is like the air, only pushier. |
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marty
Joined: 22 Jan 2004 Posts: 155 Location: Arlington, MA USA
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Posted: Fri Nov 05, 2004 11:46 am Post subject: |
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I love this place. Ask a simple question and get a lesson on technology that I never knew existed.
I should have picked up that large dry mount press that a friend was getting rid of years ago. Of course I don't have anyplace to put such a thing. If I had the press I might order some of those inks just to see what is possible.
I was thinking about printing onto polyester film (aka Mylar) as well as PC-31 and/or Texlon polyester.
What do the "big boys" do? _________________ Gentle breezes...
Marty Sasaki
Arlington, MA USA |
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